Rannou Blandine
Blandine Rannou's "revolutionary playing" (Philippe Ramin, R?pertoire April 2001) reveals a new approach to the harpsichord and to the interpretation of Rameau's music. «...the one who link baroque music, and especially harpsichord, to rushed acid notes will be astonished when discovering her Rameau. This shining Rameau is a mastery of deepness and balance. A mosa?c of colors associated with the precision of master's paintings » (Eric Dahan, Lib?ration June 2001).
Further to an intense chamber music and basso continuo activity with Il Seminario Musicale - Direction G?rard Lesne, Les Basses R?unies - Bruno Cocset, Pascal Monteilhet, Richard Myron, she develops a solo activity (La Roque d’Anth?ron, Madrid, Versailles Baroque Music center, Paris Palais-Royal…)
Blandine Rannou started with Zig-Zag Territoires, a soloist discography, noticed by the media with the "Int?grales des pi?ces pour clavecin seul et en concerts" de Jean-Philippe Rameau. They commit themselves in an editorial work from J.S. Bach (the French Suites and later the English Suites), Froberger, Fran?ois Couperin…